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Dance Crazy in Hollywood
American dancer and choreographer Hermes Pan recalls his life and work as he relives the glorious history of the Hollywood musical.
My Makhzen and Me
In the summer of 2011, Nadir Bouhmouch, a Moroccan student studying abroad in California returns to his home country and finds it in a state of turmoil. The uprisings in Tunisia and Egypt had spread to Morocco. Organized by a group of students called the February 20th movement through Facebook, Twitter, Youtube and a website called Mamfakinch; People were flooding the streets and demanding change. But the Makhzen (the ruling elite) refuses to abandon it's grasp. This film investigates what gave birth to the revolt and the obstacles it encounters on it's struggle for freedom, democracy, human rights and an end to corruption and poverty.
475
Amina Filali is a 16-year old Moroccan girl who committed suicide after being forced to marry her alleged rapist. Her tragic death dominated Moroccan and international media in March 2012. Amina had accused a young man in her village of rape, but because authorities failed to properly investigate her accusations, she was married to her rapist following a citation from article 475 of the Moroccan penal code. This article dismisses a rapist of his charges as long as he marries his victim. A year after her marriage, Amina swallowed rat poison, walked into the village market, and died. Through this horrifying affair, the film explores the legal, political, religious and social issues that plague Moroccan women - chipping away at the facade of equality that disguises a deep-seated patriarchal system.
Die Serpentintänzerin
A young woman dancer with large, flowing robes, swirls round herself quickly, making her light robe flow around her like a butterfly's wings.
Ameta
A filmed record of a fan dancer performing a dance using two white sheets suspended from poles which she frantically twirls around herself to create a succession of patterns.
Where We Danced
“Where We Danced” is the first in a three-part series that chronicles the evolution of American social dance. It tells the story of America’s dance through the lives of the dancers who shaped the art form as well as the places they danced. The story begins on the plantations where African and Western European culture collided to create America’s first truly indigenous social dance, the cakewalk. It continues through to 1930’s Harlem showing how dance helped shape popular culture in America and around the world. Over the decades dance has set trends in fashion and sexuality, giving the youth of the 20th century a voice to define itself from the rigidness of the Victorian era . It also gave African-Americans a means of expression when all others had been taken away.
Italienischer Bauerntanz
Two children, Ploetz and Larella, perform an Italian peasant dance.
Kamarinskaja
Three dancers do a Russian folkloric step dance, facing the camera, in traditional clothes, fur hats and leather boots.
The Pickaninny Dance from the “Passing Show”
“A scene representing Southern plantation life before the war. A jig and a breakdown by three colored boys.”
Crissie Sheridan
A woman in a white gown performs a skirt dance, using her arms to produce circles and other patterns within the folds of her costume. Her legs and feet appear to be bare. (Library of Congress)
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