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Whatever happened to this promising young actress from Hollywood? A search for "the woman in the car" through the never-ending suburbia of Los Angeles, where the myth of cinema reigns. A sort of thriller without a corpse.
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Documentary film on the #1 instrumental rock group in the world, The Ventures. The story of their rise to fame in the 1960s right up to now, as they celebrate their 60th anniversary of playing the best guitar-rock of all time.
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Lonely. It could be you. It could be me. There are millions of us out there. The headlines call this 'The Age of Loneliness'. They say it's a major public health issue. A silent epidemic that's starting to kill us. But we don't want to talk about it. No-one really wants to admit they are lonely. Award-winning film-maker Sue Bourne believes loneliness has to be talked about. It affects so many of us in so many different ways and at so many different stages of our lives. So she went out to find people brave enough to go on camera and talk about their loneliness. The Age of Loneliness has people of all ages in it, from Isobel the 19-year-old student to Olive the feisty 100-year-old, Ben the divorcee, Jaye the 40-year-old singleton, Richard the 72-year-old internet-dating widower, to Martin, Iain and Christine talking about their mental health problems. Everyone talks with such remarkable honesty and bravery that you can't help but be touched by their stories.
Born Into Brothels: Calcutta's Red Light Kids
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Louise Bourgeois: The Spider, The Mistress And The Tangerine
A journey inside the world of a legend of modern art and an icon of feminism. Onscreen, the nonagenarian Louise Bourgeois is magnetic, mercurial and emotionally raw-an uncompromising artist whose life and work are imbued with her ongoing obsession with the mysteries of childhood. Her process is on full display in this intimate documentary, which features the artist in her studio and with her installations, shedding light on her intentions and inspirations. Louise Bourgeois has for six decades been at the forefront of successive new developments, but always on her own powerfully inventive and disquieting terms. In 1982, at the age of 71, she became the first woman to be honored with a major retrospective at New York's Museum of Modern Art. In the decades since, she has created her most powerful and persuasive work, including her series of massive spider structures that have been installed around the world.
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