Bulíço Mulíebre

May. 10,2023

Rating：

5.5

Genre：

Documentary

Keywords：

Avant-garde Experimental Experimental Cinema

Trailer Synopsis Cast

Similar titles

Prime Video

Koyaanisqatsi

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

See Detail

Koyaanisqatsi 1983

Petrol - Carburant - Kraftstoff

See Detail

Petrol - Carburant - Kraftstoff 1965

Jesus Is King

Filmed during summer 2019, Jesus Is King brings Kanye West’s famed Sunday Service to life in the Roden Crater, visionary artist James Turrell’s never-before-seen installation in Arizona’s Painted Desert. This one-of-a-kind experience features songs arranged by West in the gospel tradition along with new music from his forthcoming album.

See Detail

Jesus Is King 2019

Centers

Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offscreen video monitor.

See Detail

Centers 1971

New York Portrait, Chapter I

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.

See Detail

New York Portrait, Chapter I 1979