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Thirty-five years after "Keep in Touch", Jean-Claude Rousseau’s filmmaking returns to the city of Carl Andre and Hollis Frampton. It’s like a miniature remake of "Rear Window", but a New York version – Rear Window as seen by a minimalist artist from New York. The window takes up almost the entire frame, the photographer is nowhere to be seen and the gaze, no longer voyeuristic, flutters over the surface of a red brick façade on the other side, studded by myriad identical windows. On the surface of the windows or in the depths of the bedrooms, life passes by, takes its leave and returns, always inaccessible.
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Dubai-based criminal don Uday takes it upon himself to try and get his half-sister Sanjana married - in vain, as no one wants to be associated with a crime family. Uday's associate and best friend Majnu finds a well to do, nice young man, Rajiv, who lives with his maternal uncle and aunt - Dr. and Mrs. Ghunghroo. Through extortion he compels the Ghunghroos to accept this matrimonial alliance. With no escape from this predicament, the wedding is planned, with hilarious consequences.
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